Ben Harrison

Sound designs include: Starlight Express, High Society, Blood Brothers, Carnaby Street, The Roy Orbison Story, The Boy Friend, Tommy, This Is Elvis, Half A Sixpence, Dr Dolittle, Laughter In The Rain, Jekyll & Hyde, Rock & Roll Heaven, The Concert They Never Gave and Save The Last Dance For Me (UK tours); Scrooge, Cabaret, Dreamboats & Petticoats and The Country Girl (West End and UK Tour); Evita (International Tour); Soul Sister (Hackney Empire, West End & UK Tour); Whistle Down The Wind (UK & American tours); The Fortune Club (Tricycle); Tom, Dick & Harry and Wolfboy (West End); Fame the Musical (Cyprus); Dancing in the Streets (West End and International tour); The Prodigals (Edinburgh Fringe); Piaf, Simply Cinderella, The Pillowman, Hot Stuff, Gypsy and Hello Dolly (Leicester CURVE), The King & I (Leicester CURVE and UK Tour); Obama The Mamba (Leicester CURVE & The Lowry); Kiss Me Kate & Chaplin (Guildhall School of Music & Drama); Cendrillon (Monte Carlo); Mother Goose, Aladdin, Cinderella, Snow White and Dick Whittington (Stoke); Panto’s On Strike (Manchester Opera House) and Hedda Gabler (Northampton Royal). Between 2002 and 2007 Ben was head of sound at Leicester’s Haymarket Theatre where he designed West Side Story, The Lion, the Witch and the Wardrobe, Hot Stuff - the Christmas Edition, Macbeth, An Illustrious Corpse, Beautiful Thing, The Fortune Club, East, Divine, The Bogus Woman (also Adelaide & New York), The Good Woman of Schezuan, Steven Sondheim’s Pacific Overtures, The Happy Prince and The Wizard of Oz. Ben is a regular associate of ARTBUILDING PROJECTS, consulting on audio installations in theatres and art spaces across Europe. You can follow Ben on Twitter @BenSoundDesign